The decorating notebook

Decorating a listed building

For a listed Chelsea home, settle what is being changed before selecting paint. RBKC explains that listing protects the whole building, including internal features and later extensions. Changes affecting its character require consent. The useful starting point is a precise record of the property and the proposed work.

Sources: RBKC: listed buildings explained

Read the local evidence without treating it as a survey

Historic England’s entry for 34–56 Paultons Square records circa-1840 houses with brick, stucco, balconies and railings. That description helps identify the different elements a decorating proposal might affect. It does not establish their current condition or authorise a coating. Use the listing for the actual address, the relevant conservation appraisal and an inspection together. Photograph the existing surfaces and distinguish retained historic fabric from later additions before deciding how much preparation to specify.

Sources: Historic England: 34–56 Paultons Square

Separate listing from conservation-area controls

A conservation-area address and a listed building are different checks. RBKC provides a planning map and information on Article 4 directions, which can remove permitted development rights. Describe the proposal when asking whether permission is needed; do not assume that every repaint requires it or that a matching colour resolves every issue. Include changes to materials, removal of paint and work on internal details as well as the finished colour visible from the street.

Sources: RBKC: listed buildings explained; RBKC: conservation areas and property checks

Explain preparation, not just the final shade

Historic England warns that stripping old finishes can remove evidence of earlier decoration. Its guidance also notes that lime render and stucco may need a permeable coating. Ask for a method that identifies the existing material and any proposed removal, repair or test area. Where there is uncertainty, obtain the appropriate conservation advice before destructive preparation begins. A product sold in a historic colour range does not by itself establish compatibility with a particular old surface.

Sources: Historic England: redecorating a historic house

Keep scaffold arrangements in a separate record

Permission for the building work does not describe the practical means of reaching it. Survey the working space, lightwells, gates and pedestrian route. RBKC’s highway process covers temporary structures such as scaffold and mobile towers, and requires written approval before work on the highway starts. Record the applicant, proposed footprint and relevant licence with the access quotation. This allows the decorating scope and the access arrangements to be reviewed together without leaving either implicit.

Sources: RBKC: highway licences

The documents to keep with the quotation

Bring together the address and listing entry, photographs, a room or elevation schedule, advice received, consent documents and the named coating system. Record who obtains any further advice and who can authorise changes. Separate ordinary decoration from conservation, substantial plaster repair and joinery repair where these need another scope. If an unexpected feature is uncovered, pause the affected preparation and review the proposed treatment before covering or removing it.

Start with a conversation

Tell us about your property.

Share the address, the rooms or surfaces, and what you have in mind.