Chelsea Painters & Decorators

Areas

Local guidance for planning a decorating brief. Send the full address and scope so we can confirm the arrangements and availability for your project.

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Explore areas

01

King’s Road

A King’s Road decorating brief often needs to separate the street frontage from the rooms above it. RBKC records shops with accommodation above along the road. Establish which entrance, surfaces and occupiers the work involves before treating the building as one painting job.

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02

Sloane Square

Around Sloane Square, a room scheme and a building-wide finish schedule are different commissions. The council’s appraisal records a mixture of shops, houses and mansion flats. For an enquiry, start by establishing where the private flat ends and the shared entrance or exterior begins.

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03

Cheyne Walk

Cheyne Walk calls for a brief that recognises the individual house. RBKC describes a coherent group of Georgian brick houses towards the eastern end and a more varied streetscape further west. The building’s surviving fabric, later alterations and existing coatings should lead the decorating decisions.

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04

Draycott Place

In Draycott Place, the contrast between painted joinery and the surrounding masonry matters. RBKC includes the street among Sloane Square’s red-brick and terracotta streets and identifies window colour and glazing patterns as important to their character. Start with the existing building specification before proposing an exterior change.

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05

Royal Hospital area

Homes around Royal Hospital Road and Tite Street need more than a room count to describe them. The council records late Victorian terraces alongside studio houses with large windows. A useful decorating brief explains the height, retained detail and access to each surface before choosing a finish.

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06

Paultons Square

Paultons Square’s ordered elevations make the boundary between painting and alteration particularly important. Historic England lists the terrace at 34–56 Paultons Square, SW3, as Grade II: yellow brick, ground-floor stucco, cornices and iron balconies. The quotation should identify each surface and what will remain untouched.

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07

The Boltons

For a home around The Boltons or Tregunter Road, a floor-by-floor schedule can make a larger decorating brief easier to assess. List rooms, stairwells, windows and exterior elements separately.

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08

Carlyle Square

For Carlyle Square and Old Church Street enquiries, consider the relationship between entrance hall, reception rooms and the staircase. A scheme can be reviewed as a sequence of adjoining spaces.

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09

Chelsea Harbour

For a Chelsea Harbour or Lots Road apartment, start with the building’s access procedure. Lift bookings, material deliveries and protection of common areas belong in the decorating brief.

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10

World’s End

For World’s End and Cremorne enquiries, explain how the rooms are used and whether the home will remain occupied. The decorating sequence needs to account for everyday access.

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11

Edith Grove

For Edith Grove and Beaufort Street, an interior refresh and an exterior repaint should be assessed as distinct pieces of work. Their access, preparation and programme can differ.

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12

Chelsea Manor Street

For Chelsea Manor Street and Chelsea Green enquiries, a simple plan of the rooms helps explain access and the relationship between spaces. Include alcoves, stairs and fitted joinery in the brief.

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13

Earl’s Court

For an Earl’s Court enquiry, tell us whether access is through a shared hall and staircase. A flat within a larger house may need arrangements with other occupants before work begins.

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14

Fulham

For a Fulham home, start with the rooms that need to remain usable during decoration. Kitchens, halls and connected living spaces often determine the practical order of work.

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15

South Kensington

For South Kensington enquiries, describe the ceiling height, window arrangement and joinery as well as the size of each room. These details affect preparation and access.

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16

Belgravia

For a Belgravia property, provide any building or estate specification that applies to the proposed work. The individual address and scope determine the checks required.

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17

Knightsbridge

For a Knightsbridge enquiry, identify floors, stone, fitted furniture and fittings that will remain in place. Protection is part of the brief, particularly where rooms have already been furnished.

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18

Pimlico

For a Pimlico house or flat, distinguish the internal room schedule from any exterior work. A photograph of each elevation helps identify the surfaces and access to discuss.

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19

Battersea

For a Battersea enquiry, describe whether the work involves existing finishes, new plaster or fitted joinery. Each needs an appropriate preparation and coating specification.

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20

Kensington

For a Kensington property, list original features separately from general wall and ceiling areas. Doors, shutters and mouldings can account for much of the preparation work.

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21

Notting Hill

For a Notting Hill home, review colour samples beside the materials you intend to retain. Different daylight and adjoining rooms can change how the same shade appears.

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Share the address, the rooms or surfaces, and what you have in mind.